Gregory Colbert’s Ashes and Snow is an ongoing project comprised of photographic artworks, a one-hour film and two short film “haikus”, temporary traveling art installations, and a novel in letters presented in a purpose-built temporary structure called the Nomadic Museum.
Colbert’s images, visceral yet dreamlike, return us to a place we long for but cannot name. His photographs and films reawaken an ancient memory in us of a time when we lived in balance with our animal cousins. Since we first painted their silhouettes on the walls of caves 35,000 years ago, animals have inhabited our stories, our dreams, and our imaginations. Unless we choose to preserve our biodiversity we are destined to be lonely inhabitants of a planet emptied of its wonder.
Since he began creating his singular work of Ashes and Snow in 1992, Colbert has undertaken photographic and filming expeditions to every continent to collaborate with more than one hundred species around the world. Colbert, who calls animals “nature’s living masterpieces,” photographs and films both wild animals and those that have been habituated to human contact in their native environments, without the use of artificial lighting or digital collaging. The images record what he saw through the lens of his camera. While Colbert uses both still and movie cameras, the images are not stills from the film. His original photographic artworks marry umber and sepia tones in a distinctive encaustic process on handmade Japanese paper. Each work, approximately seven feet by twelve feet, is mounted without commentary to encourage an emotional rather than an intellectual response to the images.
The feature film was edited by two-time Oscar winner Pietro Scalia. It is narrated by Laurence Fishburne (English), Ken Watanabe (Japanese), Enrique Rocha (Spanish), and Jeanne Moreau (French). Musical collaborators include Michael Brook, David Darling, Heiner Goebbels, Lisa Gerrard, Lukas Foss, Nusrat Fateh Ali Khan, and Djivan Gasparyan.
The title Ashes and Snow refers to the literary component of the exhibition—a fictional account of a man who, over the course of a yearlong journey, composes 365 letters to his wife. The source of the title is revealed in the 365th letter. Colbert’s photographs and one-hour film draw from the traveller’s encounters and dreams described in the letters.
Ashes and Snow first opened at the Arsenale in Venice, Italy, in 2002. The Nomadic Museum, the travelling home of Ashes and Snow, debuted in New York (March to June 2005) and then travelled to Los Angeles (January to May 2006), Tokyo (March to June 2007), and Mexico City (January to April 2008), and is charted to travel the globe with no final destination. Ashes and Snow has welcomed more than ten million visitors to date, making it the most attended exhibition of any living artist in history.